Jon Brooks

Upon his return from a 1997 trek throughout war ruined Bosnia-Herzegovina, Jon quit writing songs and performing, claiming, “I’m at least a 1000 books and emotions shy of earning the right to stand behind a microphone.” 8 years later – at the suggestion of one of his Canadian literary heroes, Austin Clarke – Jon wiped the dust off his Taylor Jumbo 615.



Though Jon’s music is filled with grey and morally ambiguous characters living on the outskirts of approval, his mandate is unequivocal: “I’m not interested in ‘happy songs’ – I’ve chosen to write healing songs and, for that reason, I’m obliged to reveal a wound or two now and then. I’m even less interested in writing unhappy songs: I want to write hopeful songs, inspiring songs and I expect I owe today’s listener some hopeful argument – some legitimate reason – as to why we should believe our present world could be improved, or healed. The highest aim of song is to invoke empathy – to offer that rare sight of ourselves in others. In this sense, the folk singer is simply trying to politicize love, hence, my contention that today’s songwriter should be a lobbyist for compassion to be our principle representative in government office.

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